By Scott Brinton My wife, Katerina, and I over the weekend took in Stereophonic on Broadway, which follows an unnamed ’70s pop-rock band closely resembling Fleetwood Mac as it ascends up the charts and their familial and platonic bonds devolve into internecine feuding that threatens to unravel the band — just like Fleetwood Mac. IContinue reading “‘Stereophonic’ hits all the human notes — low and high”
